“The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn’t a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching beast in the jungle. It signified little whether the crouching beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn’t cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.” (43)
In this third-person narrative, James lets us into John Marcher’s innermost thoughts in regards to his life, the beast John is obsessed with, and his relationship with May Bartram. The “beast” is the object of John’s fear and premonition that carries him and May throughout the story. It’s a “secret” that is so dreadful May is the only other person that knows about it. James uses the words “secret” and “it” many times, possibly to add more drama to the story. Though “he really didn’t remember the least thing about her” (35) when they reunited after spending many years apart , John and May eventually grow and bond together. He courts her by taking her “to the National Gallery and the South Kensington Museum, where, among vivid reminders, they talked of Italy at large” (42) and bestow her with gifts and his presence on her birthday while now considering her side of the relationship and how she may respond to this level of intimacy.
Though John and May become exceedingly close, marrying her is not an option for John. He fears what would happen to May when, not if, this beast makes itself known and come after him. Even though he “invites” May into his life, his fear kept him from being intimate with her. He’s is physically close to her, but he is emotionally isolated. His obsession of “something or other” or the best laying “in wait for him” pushes him away from May. Though May knows about the beasts in the jungle, he is not direct with her about it. He gives her just enough. Just enough to keep him satisfied and secure and we see this were James writes that John “had a screw loose for her, but she liked him in spite of it and was practically, against the rest of the world, his kind wise keeper, unremunerated but fairly amused and in the absence of other near ties, not disreputably occupied” (44). May reveals to John her awareness of what she is to him when she exclaims “I’m your dull woman, a part of the daily bread for which you pray at church. That covers your tracks more than anything” (46). It’s possible that May knows as much about the beasts as the readers of the novel.
The deep thoughts and the beast that James reveals to us is many pages of fear, obsession, and premonition. What the beasts actually are is less important than the process of John’s life and how his obsession eventually causes him to fail.
James, Henry. The Beast in the Jungle and Other Stories. New York: Dover Publications, 1993. Print.